About | Boost Music
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About

We’re an MCPS music library providing top-quality tracks for use in your production.

We’re fiercely independent and committed to providing music that’s fair, fresh and forward-thinking.

If you need help finding the right music for your project, we’re right here to help.

Just get in touch with a music brief and we’ll send you over a playlist of suggestions (usually within the hour) at no cost.

Watch Our Showreel

Our Story

Launched in 2004 with a small selection of albums focused specifically at feeding the needs of TV and radio creatives, Boost's mission was and still is to be the unique, boutique and personal indie in an increasingly corporate marketplace.

Over the last 20 years, we’ve carefully curated a repertoire of more than 25 labels and over 100,000 tracks, always focusing on quality above all else.

Aside from a few new faces, a new look and a lot more music, not loads has changed: friendliness, approachability and an in-depth knowledge of both our catalogue and our clients’ needs have always been central to everything we do at Boost, and we're still always on hand to help you find the right music for your production – you can just search the site these days instead of requesting CDs!

If you need help finding music, want licensing advice or anything else, just email us at music@boostmusic.com

Our Ethos

Need music, got a brief or simply want to say hello? Get in touch with the team…

Sounds Fair

Sounds Fair is an awareness campaign for music to command a fair price.
Music isn’t written by machines. Real people spend their time and talent creatively writing music to enhance productions. We think that they, and the music publishers they work with, deserve to be paid a fair price for their expertise and the financial investment made in providing quality music.

We also believe it is ethical for our composers to be properly compensated and accordingly we share equally all the mechanical, synchronisation and performance income.

Other sources of music are available at a lower cost but do not adhere to these principles, and arguably exploit writers and devalue music.

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Music isn't written by machines.